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Oversaturatioeffect 2a, 2015
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Oversaturation effect #2
Mihai vrabies, Fragments of Black & Color 14, Ink on Paper, cm 30_30, 2015
Oversaturation effect #1
The Void effect #5
The Void effect #16
The Void effect #10
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Oversaturation effect series IIb
Oversaturation effect series IIa
The Void effect #9
The Void effect #7
The Void effect #8
The Void effect #4
The Void effect #3
The Void effect #2 (2)
Mihai Vrabies, Overflow #7, 2016, 40x40 cm, ink on canvas
Oversaturation effect series IId
The Void effect #11 b.d
The Void effect #1
The Void effect #11 a.c.jpg
The Void effect #12 b.c.jpg
Oversaturation effect #11 mare
Mihai Vrabies,Oversaturation effect #4, 2015, 40x30 cm, ink on paper
Oversaturation #6
Oversaturation effect series IIc
Mihai Vrabies,The Oversaturation effect #9, 100x100 cm, ink on paper
Oversaturation #5
Mihai Vrabies,Oversaturation effect #7, 2015, 40x30 cm, ink on paper
The Void effect #17
Mihai Vrabies, Overflow #6, 2016, 30x40 cm, ink on canvas
Mihai Vrabies, Overflow #5, 2016, 30x30 cm, ink on canvas
Mihai Vrabies, Frozen moments  #2, 2015, 42x41 cm, ink on paper
Mihai Vrabies, Overflow #2, 2016, 30x30 cm, ink on canvas
Mihai Vrabies, Overflow #1, 2016, 30x30 cm, ink on canvas
Mihai Vrabies, Frozen moments  #1, 2015, 41x42 cm, ink on paper
Fragment of black and red #2 mare
Fragment of black and red #1
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Mihai Vrabies, Overflow #3, 2016, 30x30 cm, ink on canvas
Mihai Vrabies, Overflow #4, 2016, 30x30 cm, ink on canvas
Mihai Vrabies, Blue, Yellow, Red Void #5, 2016, 33x41 cm, ink & wood glue on canvas (2)
Mihai Vrabies, Fragments Of black & colour 13, cm 30_30, 2015
Mihai Vrabies, Fragments of Black 7 Colour 6, cm 30_30, Ink on paper, 2015


  An impulse sometimes expands seemingly unchallenged through space, and in this context all potential qualities melt into one ,for boundaries become vague and  uniformity is the common rule. How ever because this expanse can never have a discernible body,simulating infinity, whit out it being in contradiction or relation whit something else, this 'something else' is empty space that has the property of depleting, at various intervals, the expansing energy of this impulse.Thus the smallest push-back or friction must exist between this ‘body’ in full expanse and ‘empty’ space in which it expands. From this material forms appear, their boundaries , their bodies looked between concreteness and dissolution, packed such as a spring whit energy and intensity giving the impression of an immediate, sharp and rapid succession of explosions and implosions, as fragile as they are unstable, whit just the smallest amount of clarity given to them, disguised as intrigued structure of forms that seem to ‘snap’ into an articulated form. To this i apply the term ‘Oversaturation effect’.

Abstract works

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